How Do You Know if Your Appendix Is Going Bad?
Hollywood seems determined to profit from remakes and sequels that movie makers accept no business organisation writing, producing or releasing. Rather than working hard to generate new films — ones with novel plot devices, leads and stories from underrepresented communities and compelling cinematic visions, for example — the bigwigs of the American picture manufacture are on a mission to quickly ruin any remnant of millennial babyhood nostalgia.
So, it is with a heavy heart — and in recognition that January 10, 2021, marks five years since the passing of the absolutely legendary and incomparable David Bowie — that I am forced to address the announcement of a Labyrinth sequel. Now, does the original film require, necessitate or even hint at a sequel? Is the pb actor from the original picture show prepared to make an appearance? Is the original director all the same available? The answer to these questions is a single, resounding "NO." And even so, here we are. Sigh.
Allow me to accept a brief moment to discuss why a Labyrinth sequel is an awful, terrible, no-skillful idea.
A Bowie-Less Labyrinth Sequel Volition Be a Travesty
The upcoming Labyrinth sequel faces some tough challenges. For starters, information technology's going to exist missing its eternal, androgynous Jareth the Goblin Male monarch — a.k.a. the incomparable David Bowie. In 2016, the iconic genre- and gender-bending rock star lost a long battle with liver cancer. His failing health was a well-kept surreptitious, and fans and admirers from all over the world mourned his untimely passing.
If you believe that Bowie's absence from a Labyrinth sequel is more a casting claiming than a reason to cancel the unabridged project, I'd recommend that you get back and watch the original 1986 moving picture. Bowie's presence extends beyond his insanely flustered hairdo, gigantic codpiece and cool charismatic demeanor — the man also wrote and performed more than half of the movie's soundtrack.
Seeing Bowie perform every bit Jareth is much like watching him every bit Ziggy Stardust. It can be challenging to separate the truth from the fiction of these performances, as Bowie becomes so engrossed in his characterization that he only ceases to be himself. Fifty-fifty as an developed, information technology's hard to watch Jareth the Goblin King prance, trip the light fantastic and sing without occasionally stopping to retrieve, "Wow. That really is David Bowie. And, yes, I will 'Dance the Magic Dance' down my hallway."
I'm sorry, but it'southward incommunicable for a casting director to find a multitalented role player/musician to make full Bowie's shoes in an upcoming sequel. It'southward also a claiming to imagine whatsoever viable reason why the original — seemingly immortal — Goblin Male monarch would have all of a sudden changed form. This blazon of confusion only deepens when considering what might become of the Labyrinth's creatures.
Jim Henson, the mastermind behind the Muppets, directed the original Labyrinth motion picture. His masterful puppetry showed a depth of skill unmatched by rival puppeteers, and in a time without impressive CGI graphics, he was i of the become-to guys for applied special effects. Sadly, Henson passed abroad in 1990. Since that fourth dimension, at that place have been no less than five theatrical releases with his charming Muppet characters — and they've all been awful.
Some might accept those movies as a sign that Henson's absenteeism is no big bargain when attempting to make a sequel. They would be incredibly wrong. A Labyrinth sequel without Bowie AND Jim Henson would be like a Mrs. Doubtfire sequel without Robin Williams. (Don't you dare, 20th Century Fox!) Only cease thinking about it and appreciate this magic for what it is!
Making a sequel to the Labyrinth film without using Henson'south puppets would be like George Lucas abandoning practical puppetry from his Star Wars franchise in favor of poorly-generated computer graphics. Oh…that's already happened, and the response has been less-than-stellar. Fans who have grown upward watching a specific film are bound to experience slighted, misunderstood or but plainly cheated when that film ends upward lost in technological translation.
Not convinced that fans don't want a CGI-heavy Labyrinth remake? Have a look at how The Lion King fanbase (and critics) reacted to the CGI "live-action"' Disney remake. Here'due south a spoiler: They didn't like information technology.
A Projection Fueled by Profits, Not Passions
All of this begs the question, "Why are these executives light-green-lighting and then many '80s remakes and sequels right now?" Unfortunately, the answer lies in nostalgia-based profit. Academics accept long studied consumer beliefs, and information technology seems that recent studies have non fallen on deaf ears.
In 2014, the Journal of Consumer Research published findings on the connection between nostalgia and coin-spending habits. They discovered that people are more willing to spend money when they're feeling sentimental or cornball. Advert executives and flick producers accept taken this tidbit of data and run with it.
That'south why our current picture show industry is flooded with remakes and unasked-for sequels, especially to icons from the 1980s and 1990s. Children from that era are now full-fledged adults with existential dread nigh the time to come equally climate change, pandemics and political anarchy leave generations clamoring for familiar, comforting nostalgia.
But rather than re-releasing original footage on updated media (think Blu-ray and 4K downloads), the film industry would rather have existing intellectual property and rebrand information technology for the younger generation. In most cases, the effect is an alienated original audition and a disinterested youth. This is all done in the name of and for the sake of profit.
And then Please, Get out This Jewel of a Picture Alone
A motion-picture show shouldn't be pre-judged as good or bad, of course, only should instead be judged by its merit, reception and lasting touch. Still, even the most advanced hologram technology could not revive Bowie'south onscreen presence (NOR SHOULD It). And no amount of CGI could supervene upon the authenticity and wonder of Henson's creations.
The only affair that could remain consistent between the original Labyrinth moving-picture show and its proposed sequel is its main screenwriter, Terry Jones (of Monty Python fame and glory). But every bit of this moment, in that location's no word from the aging Brit as to his possible involvement in writing a sequel.
As a consequence, there'due south petty promise that a Labyrinth 2 would exist annihilation more a shameless, soulless greenbacks take hold of aimed at adults who long for the simpler, stranger world that lay before them during the '80s. Any project based on profit, not passion, is doomed to fail, and that's why I'm not looking forward to the mess of a sequel that undoubtedly lies alee.
Source: https://www.ask.com/entertainment/labyrinth-sequel-bad-idea?utm_content=params%3Ao%3D740004%26ad%3DdirN%26qo%3DserpIndex
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